Although mainly in Portuguese, the official programme of Festival do Rio is still a very useful tool for anyone planning to attend the event and who wishes to plan what to watch. Here is the link to download the festival programme.
Ticket prices for the Rio 2016 Olympic Games have been announced – and more than half of them will be sold at accessible prices in order to ensure that the event is open to everyone. About 7.5 million tickets will be issued and approximately 3.8 million of these will be available for 70 Brazilian reais (US$30) or less. For the price ranges (in Brazilian reais) for all sports and ceremonies CLICK HERE. Or click on the images below.
Currently (16 September), R$10 is worth about US$4.30, €3.30 or £2.60.
There will be tickets for 717 sports sessions, covering all 28 Olympic sports, plus the opening and closing ceremonies. The range of prices the organizers say is designed to make tickets as affordable as possible, with the goal of ensuring that the local Brazilian population has the opportunity to attend events. The cheapest ticket will be priced at 40 Brazilian reais (less than US$20).
The full Rio 2016 Olympic Games Ticket Sales Programme will be unveiled in November 2014, along with the competition schedule and details on how the public can buy tickets.
The next step on the spectator’s journey towards participating in the first Olympic Games to be staged in South America will come in November. Fans from all over the world will be able to register on the ticket sales website and indicate which sports are of interest to them. They will then receive tailored news and information on these sports and athletes, as well as other events around the Games, as anticipation builds towards 2016.
Brazilian residents will be able to enter the first of two draws for tickets in March 2015. Non-Brazilian residents will be able to apply to buy tickets in their own territories in the first half of 2015 (details will be announced on the ticket sales website at a later date) and then again in January 2016, in the worldwide first-come-first-served online sales phase.
A new initiative, the Rocinha By Rocinha Project, hopes to boost tourism to one of Rio de Janeiro’s largest favelas and was created earlier this year by a small dedicated team of young people, all living in Rocinha. The project hopes to start a cultural exchange between residents and domestic and foreign tourists visiting Rio.
Rocinha By Rocinha has adopted a tourist concept largely used in European countries: the free walking tour. At the end of the guided tour, the visitors then have the option of making a voluntary contribution according to how much they want and can afford. All generated funds go directly to the guide that is doing the tour of the day. The same procedure is adopted for the charged packages, such as the tour to the Dois Irmãos mountain and a tour of Rocinha by night.
“We want to show what the culture of Rocinha has to offer and to give a true feeling of what its like to be part of the community,” explains one of the founders of Rocinha By Rocinha, Erik Martins. Erik leads the team formed by five other guides, all with excellent knowledge of the community, good English and a willingness to become entrepreneurs, and help Rocinha to prosper.
“Our tours cover the recent initiatives that are improving the conditions of the slums, but also reveal the locations that still lack of zeal. We don’t want to hide what saddens us, but explain everything that is beautiful and culturally rich around us, as some fascinating panoramic views that fill us with pride”, Erik explains.
Rocinha By Rocinha has the support of a group of voluntary international consultants who are helping to organize and publicize the work and created the Rocinha By Rocinha website and helped develop a solution for the guides to accept payments from international credit and debit cards.
The Swedish company iZettle, one of Europe’s leading providers of mobile payment services and apps, is a partner of Rocinha By Rocinha and this allows foreign tourists, not always with cash to hand, to be able to pay securely by card. Operating in Brazil since August 2013, iZettle is now helping entrepreneurs and professionals from nine countries to accept payments on their smartphones and tablets.
Reservations for Rocinha By Rocinha can be made through the website or by email to firstname.lastname@example.org.
Ale Abreu’s The Boy and the World (O menino e o mundo), which screened at Festival do Rio in Première Brasil: New Trends, has taken the top prizes at the prestigious international animation festival in Annecy. The film won both the festival’s Cristal Award as well as the audience award for favourite film during the 38th festival.
This is the second year in a row that a Brazilian feature has won the top prize. In 2013 the Cristal Award went to Luiz Bolognesie’s Uma história de amor e fúria (Rio 2096).
To help to satisfy the demand of people travelling to Brazil who would like to have the information on www.braziltheguide.com to hand, even when the are off-line, we have published a text only Kindle version of the guide that can be purchased globally from Amazon.
In the UK the guide sells for just £2.58. To access UK Amazon CLICK HERE
It is at a similar low price on Amazon stores around the world. For links to all the various global stores CLICK HERE
Julien Temple’s “Rio 50 Degrees”, in part developed by Critical Divide, the publisher of Brazil the Guide, received its world premiere screening as the opening gala of the BBC’s Art Screen Festival at the Glasgow Film Theatre on 10 April.
The film, which takes a look at Rio de Janeiro as the city prepares to host two of the world’s most high-profile events: the FIFA World Cup and the 2016 Olympic Games, will be broadcast on the BBC as part of Alan Yentob’s Imagine series.
The very last of the twelve top samba school to parade, Unidos da Tijuca won a very close fought contest with Salgueiro, winning by just 0.1 of a point out of 300. The winner in 2013, Vila Isabel, could only manage tenth place in 2014.
Placing is important as the winning school can choose when it will parade the following year. The next school has second choice, and so on, until the one school coming up from the second division, Viradouro in 2015, gets the spot that is left.
Normally the school choose to go late on, even last if they can, but there is a danger in going last as if for any reason the parade gets delayed, and it has been known to happen, then the last school may be going out in the first light of dawn or even daylight. Like a rock concert, that can make a big difference to the visual impact.
As well as the theme of Ayrton Senna, themes in 2014 included African rhythms (Imperio da Tijuca); the city of Marica (Grande Rio); Rio’s favelas, the city’s famous shanty towns (São Clemente); Brazilian celebrations (Mangueira); sustainability and preservation (Salgueiro); a tribute to one of Brazil most famous television executives, Bonifácio de Oliveira Sobrinho, o Boni (Beija-Flor); Pernambuco (Mocidade Independente de Padre Miguel); children’s toys (União da Ilha); Brazil’s natural and historical heritage (Vila Isabel),; Zico, one of Brazil’s greatest footballers and part of the best Brazilian team not to win the World Cup (Imperatriz Leopoldinense); and Avenida Rio Branco (Portela).
- Unidos da Tijuca (299.4 points out of 300)
- Salgueiro (299.3)
- Portela (299.0)
- União da Ilha do Governador (298.4)
- Imperatriz Leopoldinense (297.6)
- Grande Rio (297.20)
- Beija-Flor (296.4)
- Mangueira (296.2)
- Mocidade Independente de Padre Miguel (296.0)
- Unidos de Vila Isabel (295.9)
- São Clemente (294.3)
- Imperio da Tijuca (291.6)
Good news for travellers heading for Rio de Janeiro. The city’s main international airport, Aeroporto Internacional Tom Jobim (Galeão) has been bought by the company that operates the award winning Singapore Changi Airport (photo), in partnership with the Brazilian construction company Odebrecht. The concession is for 25 years, and the new group promises some quick fixes for the aging airport before a major investment in improving facilities at the airport.
The company responsible for operating Zurich and Munich airports, in partnership with Brazil’s CCR, has bought Belo Horizonte’s Confins airport, which brings to a total of five the major Brazilian airports privatised by the government. The other three being Guarulhos and Viracopos in São Paulo, and Brasília.
Festival do Rio, South America’s largest and most important film festival, has unveiled the line up for Première Brasil. Première Brasil is the only competitive section of Festival do Rio with jury prizes to be presented at the end of the festival. Three highly prized audience awards will also be bestowed on the best Brazilian feature film, best documentary and best short film.
Première Brasil, which has as its festival home the historic Odeon Petrobras (photo) in Cinelandia in downtown Rio de Janeiro, is the beating heart of Festival do Rio, and the best annual global showcase of contemporary Brazilian cinema.
This year’s Première Brasil includes eleven feature films, eight feature length documentaries and seventeen shorts in competition. A further three features and five documentary features will screen hors concours, while other Brazilian productions will screen in special Première Brasil sidebars such as Portraits and New Trends.
PREMIÈRE BRASIL | FICTION | COMPETITION
- OS AMIGOS (Best Friends), by Lina Chamie (SP), 89’
- DE MENOR (Underage), by Caru Alves de Souza (SP), 77’
- ENTRE NÓS (Sheep’s Clothing), by Paulo Morelli (SP), 97’
- ESTRADA 47 – A MONTANHA (Road 47 – The Mountain), by Vicente Ferraz (SP), 107’
- O HOMEM DAS MULTIDÕES (The Man of the Crowd), by Marcelo Gomes e Cao Guimarães (MG), 93’
- JOGO DAS DECAPITAÇÕES (Beheadings Game), by Sérgio Bianchi (SP), 96’
- O LOBO ATRÁS DA PORTA (A Wolf at the Door), by Fernando Coimbra (SP), 100’
- MINUTOS ATRÁS (Past Minut), by Caio Sóh (RJ), 106’
- PERISCÓPIO (Periscope), by Kiko Goifman (SP), 80’
- QUASE SAMBA (Lyrics), by Ricardo Targino (RJ), 90’
- TATUAGEM (Tattoo), by Hilton Lacerda (PE), 110
PREMIÈRE BRASIL | DOCUMENTARIES | COMPETITION
- CATIVAS, PRESAS PELO CORAÇÃO (Captive Hearts), by Joana Nin (PR), 77’
- CIDADE DE DEUS – 10 ANOS DEPOIS (City of God – 10 Years Later),by Cavi Borges & Luciano Vidigal (RJ), 75’
- CONVERSA COM JH (Writers Block), by Ernesto Rodrigues (RJ), 93’ DAMAS DO SAMBA (Lady’s Samba), by Susanna Lira (RJ), 75’
- A FARRA DO CIRCO (Ruckus in the Circus), by Roberto Berliner & Pedro Bronz (RJ), 94’
- FLA x FLU (Fla x Flu), by Renato Terra (SP), 85’
- A GENTE (Custodians), by Aly Muritiba (PR), 99’
- HISTÓRIAS DE ARCANJO – UM DOCUMENTÁRIO SOBRE TIM LOPES (Stories of Arcanjo – a documentary about Tim Lopes), by Guilherme Azevedo (RJ), 84’.
PREMIÈRE BRASIL | FICTION | HORS CONCOURS
- EDUCAÇÃO SENTIMENTAL (Sentimental Education), by Julio Bressane (RJ), 84’
- GATA VELHA AINDA MIA (Never too Old to Meow), by Rafael Primot (SP), 86’
- MATO SEM CACHORRO (The Dognapper), by Pedro Amorim (RJ), 121’
PREMIÈRE BRASIL | DOCUMENTARIES | HORS CONCOURS
- CAUBY – COMEÇARIA TUDO OUTRA VEZ (Cauby – I Would Start All Over Again), by Nelson Hoineff (RJ), 80’
- FEIO, EU? (Ugly, Me?), by Helena Ignez (SP), 70’
- MATARAM MEU IRMÃO (They Killed My Brother), by Cristiano Burlan (SP), 77’;
- SERRA PELADA: A LENDA DA MONTANHA DE OURO (The Legend Of the Golden Mountain), by Victor Lopes (RJ), 90’.
- VINTE – RioFilme, 20 anos de cinema brasileiro (Twenty), by Carlos Diegues (RJ) 80